Q&A with Michael Kleen

Michael Kleen is the man behind Black Oak Media, a Midwestern publishing company. As I was getting started in photography, he was very supportive of my work and helped me become the photographer I am today. I'm happy to present you with a short Q&A I had with him about his magazine Black Oak Presents and what part photography plays in it.

1) How did you get into publishing?

I've always been the kind of man who wants to get things done himself. When I was in high school I used to draw my own comics and hand copies out to my friends. That was the start of it. In college I wrote a lot of material that might have had a local interest, but it wouldn't sell enough to be worth a traditional publishers time. I decided that if I wanted my work to get out there, I would have to publish it myself. I made a quick study of booklet making and went to work. After a while, I switched to a digital format so that it would be available to more people,not to mention more cost effective.

2) What is Black Oak Media/Black Oak Presents?

Black Oak Media evolved from my booklet publishing business, Black Oak Press Illinois. I wanted to expand the operation to include all kinds of media, but so far Black Oak Media has concerned itself primarily with Black Oak Presents, our digital magazine, and the Legends and Lore of Illinois. Black Oak Presents is a quarterly journal of Middle American art and culture. We want to attract and highlight local artists, writers, and musicians from"flyover country"who would otherwise be shut out of the mainstream media. I want to give people a chance to see their work published, a chance that most of the big name publishers wouldn't give. The media titans on the east and west coasts only care about the bottom line. At Black Oak Media, we care about the vitality of our local communities. As an artist, you don't have to have a million fans to have an impact, and we want to show our readers and contributors that their work isn't in vain.

3) What do you look for in photography submitted to Black Oak Presents?

I personally like photographs that are stark, gritty,and raw. I prefer black and whites because of the contrast, but my personal taste isn't what determines the content of the magazine. We've published photography from people who have just gone out into their backyard with a digital camera. If you're willing to portray the world around you in intimate detail, we're willing to publish you in Black Oak Presents.

4) How do you decide what photo goes where?

Basically I layout the magazine in a way that tries to evenly space the content. That can be difficult if we have too many or too few photographs or works of art. Because most photographs are horizontal, they take up a lot of space. Usually the photographs don't have anything to do with the article they may happen to be placed next to, unless they are clearly illustrating something like in photo essays.


5) What makes an ideal cover photo?

That's a good question, and I'm increasingly aware that what I might think is a great cover is not what other people think is a great cover. I have unusual tastes. Because there are only four issues a year, the cover selection is very important and something that I fret over constantly.Recently I've tried to choose cover photos that are more vibrant and colorful. I want to attract people to Black Oak Presents, but at the same time I don't want some air brushed model up there either. Never the less,a good cover photo should grab people and make them want to see what's inside.

6) How can people get in touch with you?

Black Oak Presents is available for free at www.blackoakmedia.org. People can also see my work at www.michaelkleen.com, and the legends and lore of Illinois at its brand new website, www.trueillinoishaunts.com. If you would like to submit your work to Black Oak Presents, please e-mail it to submissions@blackoakmedia.org, but make sure to check out our guidelines first. They are on our website.

 

Big thanks to Michael Kleen and we wish him luck with future issues.  Below, I've posted what was my first cover photo for Black Oak Presents, since which I've gotten several cover photos published.

Thanks for stopping by,
Greg Inda

Time Lapse

Came across this video a couple weeks ago and found it inspiring.


Metal Heart from Keith Loutit on Vimeo.

It's time lapse with a tilt shift lens, which gives it the "miniature" effect. The photographer, Keith Loutit, is from Sydney and has done some other amazing videos that you can check out here. Videos like this are literally hundreds of thousands of individual shots, each one having to remain consistent from one to the next in constantly changing lighting conditions. Then after you get them put together you still have to edit the footage into a full piece. Takes an enormous amount of talent and vision. Kudos to Keith for a great job.

Have a great Saturday and thanks for stopping by,
Greg Inda

Headshot Specials! Vacations!

I'll be going out of town this weekend with some friends.  I'll be bringing my camera along, so I should have something to post to the blog on Monday.  In the meantime I thought I'd mention one of my specials and post a photo.

Once a month, I hold a special event called "The $100 Headshot."  I open up eight, 45 minute slots that clients can book out over the course of one day.  The client comes in with one look prepared, and we exhaust the possibilities of that look over the 45 minutes.  We may change the lights a little, may go outside for a shot or two, but it's mostly one set-up aimed to get one perfect headshot.

Having been involved in Chicago theater for the past 9 years, I thought it was a good niche to fill.  Not everyone needs a full headshot session.  Maybe your just starting off and need a single headshot to get going.  Maybe your established but want a headshot with that beard you've been growing, or your looking to get a niche headshot to show a different range.  Whatever your need, the $100 Headshot is an affodable way to get your 1 headshot.

My next date for the $100 Headshot is April 25th.  Spaces are booking, so contact me if your interested.  As always, I suggest a free consultation.

But now on to a photo...

Michael Kleen, Editor of Black Oak Media
Did this "Presidential" type shot for the editor of Black Oak Media, Michael Kleen.  What makes it presidential?  The look upwards to a new tomorrow, clean lighting on the face, very sharp and crisp.  I shot this on a white beckground with two lights.  I darkened the background because I really liked the idea of the white figure coming out from the dark background, enhancing the idea of progress.  Little thing to note is the lack of glare or reflection on the glasses, which if your not paying attention can be a pain to take out in post.  Anytime glasses are involved you have to be very careful of what your doing.

Hope you enjoy the image, can't wait to post some from the trip!

Thanks for stopping by,
Greg Inda

Puppet Throw Down

I did a shoot with a good friend of mine, Noah Ginex.  He will be in the upcoming Chicago Improv Festival leading his self titled Noah Ginex Puppet Company into battle vs. Felt, another improv puppet company, in an improv grudge match called The Cagematch.  I won't go into any more details about the show since, well, this is a photography blog.  But if your interested visit the links.

Left to right: Amanda Rountree, Fuzzy Gerdes, and Noah Ginex

The photo was shot against a white background with the subjects filling the frame.  In photoshop, I replaced the white background with the gradient blue and widened the whole thing to accommodate text to advertise the show.

The hardest thing about shooting puppets is getting the eyes to look where you want them to look.  Even with just one puppet, the puppeteer has no idea if the puppet is actually looking into the camera.  So it's a combination of directing the puppeteer's hand movements and as the photographer, moving around to find the right angles.

With 3 puppets and 3 puppeteers, its an uphill battle getting all the eyes focused on the same thing.  When I was a kid I went to Space Camp, and truth be told I never thought I'd need to remember terms like roll, yaw, and pitch.  But boy did it help with directing hand movements.  But even then, you have to be clear who your talking too.  At one point I was directing Amanda to get closer to Fuzzy.  She kept moving the Pig closer and closer, but hadn't realized I was directing her.  That got a nice laugh out of everyone and after that I was sure to be very clear about who I was talking too.

Overall I'm very pleased with how this turned out.  If you have any questions about the image, feel free to leave me a comment and I'll be happy to answer.

Thanks for stopping by,
Greg Inda

Finally here!

I'm very happy to open my photography site.  It's been a long time coming, but I feel very good about what we've built and I look forward to what we're building towards.

This blog will be my little space to post pictures from recent shoots, photography how to's, upcoming events, stories from the road, and opportunities that you can take advantage of.  Hope you enjoy!

 

And now for the first photo...

Took this photo of Harz as he was working box office for The Sickest F***ing Stories I Ever Heard.  Harz has always been a great subject.  Lets face it, he's not pretty.  Which makes him strangely compeling.  I've always felt he'd be a good candidate for a marketing campaign similar to "The Most Interesting Man In The World."  Something that pushes structure over polish.  And lets face it, not many could pull off the striped shirt, striped tie, and a hoody.

Thanks for stopping by!
Greg Inda